Wednesday, January 28, 2009

Anatomy of a Murder

The music in Anatomy of a Murder is all jazz composed by Duke Ellington. Jazz is considered popular music and it reflects the time period in which the movie was created (1959). I didn't really think that the jazz was appropriate for this film as I don't think it did anything to enhance the mood or emotion. I felt that it was disconnected with what was being shown on the screen and mainly just filler music. However, someone pointed out in thier blog that "since jazz has no real beat to it, and is spontaneous it is appropriate for the unknown outcome of the film." This is a really great point. I hadn't thought of this. So I guess in this manner it does fit.
Durning the opening credits of the movie, a long jazz overture played and it continued to play as the movie started and we saw Jimmy Stewart as Paul Biegler driving his car. The music seemed to be used as filler.
This movie has a few instances of diegetic music. We see Paul playing a jazzy piano tune, bells ringing with a church in the background, a man playing the piano at a dance hall, and jazz music coming from a record player at Paul's house.
The music in this film is not wall to wall. In certain dramatic scenes when Laura and Clarence Manion are giving thier account of what happend to Paul, there is no music to emphasize the shocking nature of the subject (rape in the 1950s) they are talking about. There is also no music in the courtroom scenes and it is up to the actors to provide all of the drama.

Wednesday, January 21, 2009

The Adventures of Robin Hood

The Adventures of Robin Hood had many leitmotifs; however I didn’t think that they were as apparent as the leitmotifs in Casablanca. For me, Robin Hood’s theme was probably the most apparent and identifiable followed by Robin and Lady Marian’s love theme. According to Roger Hickman in the Reel Music textbook there was also a theme for King Richard the Lionhearted, but I wasn’t able to distinguish it from the other underscoring that occurred during the movie.

This film has many of the characteristics that would classify it as a "classic Hollywood" film score. It has an abundance of music that has a full orchestral sound, utilizes leitmotifs, and relies on music to add dramatic effect to fight sequences, action scenes, and to establish mood. Some of the music in the movie sounded similar to the music in King Kong. During dramatic scenes, the composer repeated the same sequence of notes over and over again at higher and higher pitches (or octaves?) to help build tension and create suspense. One scene in which I remember this happening is when Lady Marian is being escorted to prison. I also noticed that the composer used many high pitched,disjunct phrases followed by descending pitches that were conjunct. I think that this added to a frenzied feeling to some of the fight scenes.

Wednesday, January 14, 2009

Casablanca

Casablanca contains many leitmotifs. Probably the most obvious leitmotif in the film was Rick and Isla’s love theme of “As Time Goes By,” played when they are together in the movie. This theme had many variations throughout the film, whether it was being played by Sam on the piano as source music, or by an orchestra as part of the underscore. This theme is not played during all times that they are together. I noticed that when they met in the marketplace the day after Ilsa had tried to talk to him after hours in the club while he was drunk, their theme was not played. I think that it was left out of this scene to show the tension and distance that existed between them.
The German officers /Reich have their own theme as well. When they are shown performing their military duties (ie. making an arrest, pursuing someone, when Major Strasser is driving to the airport to stop Victor and Isla’s plane from leaving, etc.) the music creates a feeling of tension through the loud trumpets blaring and low drums.
The composer utilized Moroccan ethnic instruments to create musical color during scenes in the marketplace and the Blue Parrot. However in Rick’s club, the piano music has a bouncy rhythm to it, giving it an American feel (after all, it is an American themed club). During scenes in the club the music is almost always diagetic. Sam, the lady playing the guitar, or the band is usually shown playing the music, or if they’re not shown, it is inferred that they are playing. Often the music that is played in the club becomes the underscore as the scene changes.